new upload: SpaceQuencer

Oscillator A carries a sample I made by processing the sample of a Tam Tam (Gong) played with a Rubberball in Paulstretch, changing the harmonic content, stretching and binauralizing it. A temposynced envelope sequence assigned to the amplitude can be activated by turning Macro 1 downwards. The Resonance/Feedback of the Allpass Filter in Module A1 is processed by a Frequency Shifter controlled by the same envelope sequence which also controls the pitch of Oscillator B. Macro 5 controls the Filter Resonance so turning it up will make that sequence audible. A LFO-controlled, temposynced pitch modulation can be added to Osc A with Macro 6. Oscillator B has a 2-bar temposynced pitch sequence running, the amplitude is controlled by a temposynced LFO. The Cutoff of the LPF 4 Pole Filter in B2 is controllable with Macro 7 and ringmodulated Filter Feedback can be added with Macro 8. A Waveshaper in the Master section adds some edge and the Balance of the envelope-controlled Cloudfilter in the Master section is assigned to the Modwheel. In the FX section a temposynced Multitap Delay adds some spaciousness (Macros 9+10). Macros 3+4 are assigned to the Channel Volumes of A+B. Please check the envelope and LFO pages for further modulation sources and targets.
The download folder contains two patch formats: ksd (old Absynth) and nab (new Absynth).

Demo
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new upload: In the Ring

Channel A uses a sample I made by processing one of my Alchemy patches with GRM Tool's Evolution and Shuffler Plug-Ins. It runs in normal Sampler mode (looped) and is processed by an evelope-controlled Notch Filter. Turn up the Filter Resonance with Macro 1 and control the envelope speed with Macro 2. Channels B+C run in Ringmod mode, each Channel panned to one side, a LFO controlled Lowpass Filter and a Cloudfilter process the signals in each Channel. Control the Filtermod speed with Macro 12 and the Cloudfilter Balance with Macro 8. The Ringmodulator in the Master section has a x/y-control (Macros 5/6), the x-axis for the RM Balance and the y-axis for the RM pitch. The Input Gain of the Waveshaper in the Master section is controllable with Macro 7. The Modwheel controls the depth of LFO 3 assigned to various paramaters, LFO speed is assigned to Macro 14 (below the Modwheel Macro). The Pipe FX in the FX section is controllable with Macros 9-11, the Master time is modulated by LFO1. Please check the envelope and LFO pages for further modulation sources and targets.
The download folder contains two patch formats: ksd (old Absynth) and nab (new Absynth).

get t here

new upload: Doctrine of Calmness

Oscillators A and B both carry a soundscape produced by processing a Thai Gong sample I made for my soundset Alchemistry Metallurgy in Metasynth. Each Oscillator plays a different segment of that sample in Granular mode, sample playhead position controlled by a looped envelope (back and forth). You can speed up the envelopes with Macros 1+2. The samples are processed by Allpass Filters, control the Filter Resonance with Macro 5 and the Frequency Shift of the Filter Resonance with Macro 6. The Cutoff of the Highpass Filters in A2/B2 is controllable with Macro 15. Channel C adds a synthetic sound created by a Fractalize Oscillator processed by a Cloudfilter and a LPF 4 Pole Filter. In the Master section a Waveshaper adds some edge and a Supercomb FIlter can be made audible by turning up the Resonance with Macro 7, tune the Filter down 2 octaves with Macro 8. The Aetherizer in the FX section is controllable with Macros 9-12. The Pitchwheel (Macro 13) adds LFO-driven pitch modulation, LFO speed is controllable with Macro 14. Macros 3+4 are assigned to the Channel's overall volumes (A+B/C). Please check the LFO and envelope pages for modulation sources and targets.
The download folder contains two patch formats: ksd (old Absynth) and nab (new Absynth).

Demo
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new upload: InterZone

A processed field recording recorded in a russian factory is used in Oscillator A running in Granular mode, sample playhead position/speed is controlled by a looped envelope. Oscillators B+C run in FM mode and are intermodulated by the amplitude of this sample via the Audio Mod function, the paremeters affected are unison detune and FM amount. You can add a Combfilter, tune it, add a Cloudfilter with the Modwheel, do some crazy temposynced Modulation and more so please check the Macro page for all the available controls.
The download folder contains two patch formats: ksd (old Absynth) and nab (new Absynth).

Get it here