new upload: Scrape Scape

This patch contains 2 versions:
Scrape Scape 1 (org): The sample of scraping on the edge of a Tamtam with a metal stick is used in Channel A (Sample mode) processed by a tuned Supercomb Filter and a LPF 2 Pole Filter. Control the Comb Feedback with Macro 6 and the Resonance of the LPF with Macro 5. Channel 2 adds a selfdrawn synthetic wave in Fractalize mode run through a Bandpass and a Cloudfilter. Channel C uses another Tamtam sample, irregular hits with a metal stick. It runs in Granular mode, control the sample speed with Macro 1. It is also processed by a tuned Combfilter (Macro 7 for Feedback) and a LPF (Macro 8 for Cutoff). The Ringmodulator in the Master section has a x/y-pad assigned for balance and pitch, vibrato can be added to the Combfilters with the Modwheel and Macro 14 controls the Cutoff of the LPF in the Master section. Macros 2-4 control the individual channel volumes. In the upper regions of this patch weird resonances occur. Check the LFO and envelopes pages for modulation sources and targets.

Scrape Scape 2 (var): This patch uses only the scrape sample in Channels A and B, B is tuned down an octave, The Modwheel controls the Balance of the Cloudfilters which add a fixed tonal texture to the sound by tuning the Filter Grains to Dom7, In Channel A there is also an Allpass Filter (Macro 6 for Resonance and Macro 1 for FIltermod speed). The resonance of the LPF Filter in the Master section is modulated by a Frequency Shifter, Macro 5 controls the FS speed. High FS speeds with the Modwheel fully up yield interesting results.
The download folder contains two patch formats: ksd (old Absynth) and nab (new Absynth).

Demo

new upload: Raining

Channels A+B both carry the same sample in Granular mode, a mysterious texture I made with Metasynth. In Channel A this sound is processed by a LFO-controlled Frequency Shifter, in Channel B the sample is tuned up an octave, sample playhead position/speed is controlled by looped envelopes, control the envelope's speed with Macro 2 and add pitch randomization to the sample grains with Macro 5. In Channel C there is an Oscillator in Sync Granular mode processed by a LPF 4 Pole Filter. Add LFO-controlled Filter modulation and resonance with Macro 14 and Pitch modulation with the Modwheel (Macro 13). In the Master section there is a LFO-morphed Waveshaper and a Cloudfilter with an envelope controlling the Filter Cutoff. Control the Cloudfilter Balance with Macro 5 and the speed of the envelope with Macro 1. The speed of the Waveshaper morphing and the morphing of the Frequency Shifter in module A2 is controllable with Macro 7, the Input Gain of the Waveshaper can be controlled with Macro 8. The Aetherizer in the FX section has Macros 9-12 assigned. Please check the envelope and LFO pages for further modulation sources and targets.
The download folder contains two patch formats: ksd (old Absynth) and nab (new Absynth).
There is a vid on youtube displaying the automation of this patch.

new upload: Abyssal Moaning Scape

Oscillator A set to Granular mode carries a sample I made during the recordings for my Alchemy Bank Metallurgy, rubbing a small rubberball on the surface of a Tam Tam (Gong). Sample playhead position is controlled by a looped envelope so the sample loops back and forth. You can tune the gong sound up an octave with Macro 1. The amplitude of Oscillator A controls the modulation Oscillator in Channel 2 which runs in FM mode and is processed b a Cloudfilter and a LPF 2 Pole Filter. Channel adds a padish sawtooth sound processed y a LP Filter, control the LP Cutoff with Macro 5. Each channel has a volume control (Macros 2-4). The Waveshaper in the Master section adds a bit of edge, control it's input gain with Macro 8. The Highpass Filter in the Master section is controllable with Macros 6+7 (Cutoff+Resonance). The Aetherizer in the FX section has Macros 9-12 assigned, tune it up an octave with Macro 11 and detune it with Macro 12. The Modwheel adds unison detune to Oscillator C and grain pitch randomization to Oscillator A. Please check the envelope and LFO pages for modulation sources and targets.
The download folder contains two patch formats: ksd (old Absynth) and nab (new Absynth).

get it here

new upload: Wonderland

A long Soundscape I made by processing some of my Glockenspiel playing with Granite and various GRM Tools is used in Channels A+C in Sampler mode. Channels A processes this sample with a Cloudfilter and a tuned Comb Filter with key follow, control the Cloud Balance with Macro 6 and the Comb Resonance with Macro 6. Channel C plays the pure Soundscape only processed by a velocity sensitive Lowpass. Channel B in Sync Granular mode adds a paddy sound processed by a Bandpass Filter. Control the Bandpass Cutoff with Macro 3 and add temposynced LFO-modulation with Macro 4. Each channel has it's dedicated Macro for volume control (1/2/8). A Lowpass Filter in the Master section is controlable with Macro 5. The Modwheel adds a random LFO-pitch modulation to the bell sounds. The Aetherizer in the FX section can be controlled with Macros 9-11.
The download folder contains two patch formats: ksd (old Absynth) and nab (new Absynth). On the Attributes page of the patch you'll find this description embedded.

Demo
get it here

new upload: Space Delight

This patch uses 3 samples/electronic textures I produced with an array of Plug-Ins via a very convoluted procedure. All Oscillators run in Granular mode, sample playhead position controlled by looped envelopes. You can speed up the samples drastically by turning Macro 1 towards the left and determine the volume of each channel with Macros 2-4. The Modwheel will add random pitch modulation to the sample grains. Each sample is processed by a Highpassfilter, Cutoff Frequency modulated by a looped envelope. You can control the Filter Resonance with Macro 5, the depth of the modulation with Macro 6 and the envelope speed with Macro 7. The tuned Supercomb Filter in the Master section can make things more tonal by turning up the Feedback with Macro 8. You can modulate the Comb's Frequency with Macro 14, add a temposynced Frequency shifter with Macro 12 and phasinglike tone modulation with Macro 11. The Aetherizer adds a huge modulated space, controls for wet and dry are available (Macros 9/10). Please check the envelope and LFO pages for further modulation sources and targets.
The download folder contains the 3 samples and two patch formats: ksd (old Absynth) and nab (new Absynth).

Demo

new upload: Bell Drone

The sample of a huge decaying church bell recorded inside a bell tower in Moscow processed with Zebrify Filters and Sideband Modulation is used in Granular mode in Oscillaotrs A+C, split across the keyboard, split point being C3. Processed by an evelope controlled LPF 8 Pole Filter, it's resonance processed by a Frequency Shifter. Resonance amount is controllable with Macro 5, the pitch of the frequency shifter with Macro 6. Oscillator 2 adds a synthetic sound, processed by a tuneable Cloud Filter (Macro 7), the Oscillator's unison random transposition is controllable with Macro 8. Macros 3+4 control the individual channel volumes. Macro 1 brings in a temposynced Ringmodulation sequence and Macro 2 adds waveshaper distortion. Macros 9-12 control the Aetherizer in the FX section and Macro 18 controls the Attack time. The Modwheel adds pitch randomization/detune to the granular oscillators. Please check the envelope and LFO pages for more modulation sources and targets.

Demo