Thursday, December 29, 2011

new upload: In the Ring

Channel A uses a sample I made by processing one of my Alchemy patches with GRM Tool's Evolution and Shuffler Plug-Ins. It runs in normal Sampler mode (looped) and is processed by an evelope-controlled Notch Filter. Turn up the Filter Resonance with Macro 1 and control the envelope speed with Macro 2. Channels B+C run in Ringmod mode, each Channel panned to one side, a LFO controlled Lowpass Filter and a Cloudfilter process the signals in each Channel. Control the Filtermod speed with Macro 12 and the Cloudfilter Balance with Macro 8. The Ringmodulator in the Master section has a x/y-control (Macros 5/6), the x-axis for the RM Balance and the y-axis for the RM pitch. The Input Gain of the Waveshaper in the Master section is controllable with Macro 7. The Modwheel controls the depth of LFO 3 assigned to various paramaters, LFO speed is assigned to Macro 14 (below the Modwheel Macro). The Pipe FX in the FX section is controllable with Macros 9-11, the Master time is modulated by LFO1. Please check the envelope and LFO pages for further modulation sources and targets.
The download folder contains two patch formats: ksd (old Absynth) and nab (new Absynth).

get t here

Wednesday, December 28, 2011

new upload: Doctrine of Calmness

Oscillators A and B both carry a soundscape produced by processing a Thai Gong sample I made for my soundset Alchemistry Metallurgy in Metasynth. Each Oscillator plays a different segment of that sample in Granular mode, sample playhead position controlled by a looped envelope (back and forth). You can speed up the envelopes with Macros 1+2. The samples are processed by Allpass Filters, control the Filter Resonance with Macro 5 and the Frequency Shift of the Filter Resonance with Macro 6. The Cutoff of the Highpass Filters in A2/B2 is controllable with Macro 15. Channel C adds a synthetic sound created by a Fractalize Oscillator processed by a Cloudfilter and a LPF 4 Pole Filter. In the Master section a Waveshaper adds some edge and a Supercomb FIlter can be made audible by turning up the Resonance with Macro 7, tune the Filter down 2 octaves with Macro 8. The Aetherizer in the FX section is controllable with Macros 9-12. The Pitchwheel (Macro 13) adds LFO-driven pitch modulation, LFO speed is controllable with Macro 14. Macros 3+4 are assigned to the Channel's overall volumes (A+B/C). Please check the LFO and envelope pages for modulation sources and targets.
The download folder contains two patch formats: ksd (old Absynth) and nab (new Absynth).

Demo
get it here

Wednesday, December 14, 2011

new upload: Abyssal Moaning Scape

Oscillator A set to Granular mode carries a sample I made during the recordings for my Alchemy Bank Metallurgy, rubbing a small rubberball on the surface of a Tam Tam (Gong). Sample playhead position is controlled by a looped envelope so the sample loops back and forth. You can tune the gong sound up an octave with Macro 1. The amplitude of Oscillator A controls the modulation Oscillator in Channel 2 which runs in FM mode and is processed b a Cloudfilter and a LPF 2 Pole Filter. Channel adds a padish sawtooth sound processed y a LP Filter, control the LP Cutoff with Macro 5. Each channel has a volume control (Macros 2-4). The Waveshaper in the Master section adds a bit of edge, control it's input gain with Macro 8. The Highpass Filter in the Master section is controllable with Macros 6+7 (Cutoff+Resonance). The Aetherizer in the FX section has Macros 9-12 assigned, tune it up an octave with Macro 11 and detune it with Macro 12. The Modwheel adds unison detune to Oscillator C and grain pitch randomization to Oscillator A. Please check the envelope and LFO pages for modulation sources and targets.
The download folder contains two patch formats: ksd (old Absynth) and nab (new Absynth).

get it here