Oscillator A carries a sample I made by processing the sample of a Tam Tam (Gong) played with a Rubberball in Paulstretch, changing the harmonic content, stretching and binauralizing it. A temposynced envelope sequence assigned to the amplitude can be activated by turning Macro 1 downwards. The Resonance/Feedback of the Allpass Filter in Module A1 is processed by a Frequency Shifter controlled by the same envelope sequence which also controls the pitch of Oscillator B. Macro 5 controls the Filter Resonance so turning it up will make that sequence audible. A LFO-controlled, temposynced pitch modulation can be added to Osc A with Macro 6. Oscillator B has a 2-bar temposynced pitch sequence running, the amplitude is controlled by a temposynced LFO. The Cutoff of the LPF 4 Pole Filter in B2 is controllable with Macro 7 and ringmodulated Filter Feedback can be added with Macro 8. A Waveshaper in the Master section adds some edge and the Balance of the envelope-controlled Cloudfilter in the Master section is assigned to the Modwheel. In the FX section a temposynced Multitap Delay adds some spaciousness (Macros 9+10). Macros 3+4 are assigned to the Channel Volumes of A+B. Please check the envelope and LFO pages for further modulation sources and targets.
The download folder contains two patch formats: ksd (old Absynth) and nab (new Absynth).
get it here