Absynth 5 only - filesize 3,7 MB - zip folder contains the ksd and three samples (mono/wav/48khz/24 Bit)
Three samples I played on my Sopranosax split across the Keyboard with some overlapping notes. Channel A carries a sample of the lowest note on the Soprano in normal Sample mode. It is run through a Waveshaper and then fed into a Cloudfilter. Filter Frequency is controlled by a looped envelope slowly sweeping through the formants spectrum. Channel B carries a looped sequence in Granular mode, panning controlled by a looped envelope. Sample Playhead position/speed is controlled by an envelope. You can change the speed of the sequence with the assigned Macro. The sequence is then processed by a LPF 8 pole Filter, Cutoff controlled by a slow LFO. After that a Ringmodulator with a LFO-morphed wave processes the signal, control the Ringmod Balance with the assigned Macro. Channel C also in Granular mode carries a lyrical phrase, the identical notes of the sequence used in Channel B played slowly, you can control the sample speed with the assigned Macro. This is also processed by a LPF 8 Pole filter controlled by Keyboard follow. A Ringmodulator can be activated with the assigned Macro.
A LFO-controlled Cloudfilter in the Master section tuned down an ovtave can be added with the assigned Macro. After that a Supercomb Filter can add nice saturation/distortion to the sound, control it's Balance with the assigned Macro. The Modwheel adds a fast Pitch Modulation to all three sounds. A Multitap Delay adds long delays, control FX amount, Feedback amount and Delay time with the assigned Macros. Check the LFO and Macro page for further Modulation sources and targets.
get it here: